Last edited by Gardalabar
Monday, July 27, 2020 | History

3 edition of Hollywood goes Oriental found in the catalog.

Hollywood goes Oriental

Karla Rae Fuller

Hollywood goes Oriental

CaucAsian performance in American film

by Karla Rae Fuller

  • 366 Want to read
  • 13 Currently reading

Published by Wayne State University Press in Detroit .
Written in English

    Subjects:
  • Asians in motion pictures,
  • Stereotypes (Social psychology) in motion pictures,
  • Ethnicity in motion pictures,
  • Minorities in the motion picture industry -- United States,
  • Racism -- United States -- History -- 20th century,
  • Motion pictures -- United States -- History -- 2oth century

  • Edition Notes

    StatementKarla Rae Fuller ; with a foreword by Tom Gunning.
    SeriesContemporary approaches to film and television series
    Classifications
    LC ClassificationsPN1995.9.A78 F75 2010
    The Physical Object
    Paginationp. cm.
    ID Numbers
    Open LibraryOL24069528M
    ISBN 109780814334676
    LC Control Number2010006422
    OCLC/WorldCa526812638

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Hollywood goes Oriental by Karla Rae Fuller Download PDF EPUB FB2

While Hollywood Goes Oriental primarily focuses on representations of Oriental characters by Caucasian actors, Fuller includes examples of performances by non-Caucasian actors as well.

She also delves into the origination, connotations, and repercussions of the loaded term "yellowface," which has been appropriated for many causes. Hollywood Goes Oriental makes a substantial contribution to the literature in Asian American studies." (Frank H.

Wu chancellor and dean at the University of California Hastings College of the Law)Cited by: 4. North Charles Street Baltimore, Maryland, USA +1 () [email protected] © Project MUSE. Produced by Johns Hopkins University. Hollywood goes oriental by Karla Rae Fuller,available at Book Depository with free delivery worldwide/5(5).

Get this from a library. Hollywood goes Oriental: CaucAsian performance in American film. [Karla Rae Fuller] -- Too often Hollywood cinema is reduced to a homogenized product. Fuller, while primarily tracing consistencies within the Hollywood product, also traces the heterogeneous nature of Hollywood's output.

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